Seoul has an unusual amalgam
of both traditional attractions and modern locations crowded into the city.
It’s best to plan your visit around an area, head there via subway, and then
explore the neighborhood on foot.
Note: Street names aren’t
widely used in Seoul (or most of South Korea for that matter). Some major
streets may have street signs, but in general streets (and especially smaller
alleyways) have no mark. More commonly, people will always give you directions
starting from a famous landmark or a store in the area. When traveling by taxi,
it’s best to know the gu (district) and the dong (ward) where you’re headed.
PALACES
Because this city has been
the capital of Korea for centuries, it’s natural that the city would have the
country’s most elaborate palaces and historic buildings. An important part of
Korea’s intricate history, these palaces tell stories of fallen kings and
centuries old dynasties, and hold more mysteries within their walls than we can
ever know.
Changdeokgung (창덕궁)
This palace was built in
1405, the fifth year of the reign of Joseon King Taejong, as a separate palace
adjacent to the main one, Gyeongbokgung. Located to its east, it is also known
as Donggwol (the east palace), while the Gyeongbok-gung is the north palace.
Changdeokgung was also burned down the same time the main palace was in 1592,
during the Japanese invasion. Reconstructed in 1609 to 1611, it served as the
seat of royal power for 300 years until Gyeongbokgung was rebuilt at the end of
the Joseon Dynasty. Left in disrepair afterward, the palace was renovated in
1907 and used again by King Sunjong, the country’s last king. Although he lost
his crown in 1910, Sunjong continued to live here until his death in 1926. His
widow, Queen Yun, kept the palace as her home until she died in 1966. The last
royal prince died here in 1970 and the last royal family member lived in the
palace until her death in 1989.
The palace grounds are
divided into administrative quarters, residential quarters, and the rear garden.
The existing administrative section includes Donghwamun (the front gate and the
oldest existing palace structure), Injeongjeon (the throne hall), and
Seon-jeongjeon (the administrative hall). The residential area includes
Huijeondang (the king’s bed chamber), the Daejojeon (the queen’s bed chamber),
the royal kitchen, the infirmary, and other annex buildings.
Designated a UNESCO World
Heritage site in 1997, Changdeokgung’s rear garden has remained a resting area
for the royals since the time of King Taejong. Sometimes called Huwon, Bukwon,
and Geumwon, it was named Biwon (or
“Secret Garden”) by King Kojong and it has kept this name since. Some of the
trees in the garden are now over 300 years old and represent the height of
Korean garden design and landscaping techniques.
Changgyeonggung (창경궁)
Located east of
Changdeokgung, Changgyeonggung was a summer palace. Built in 1104 and called
Sunganggung, the palace was given its present name in the 1390s, when the first
Joseon King lived here while waiting for Gyeongbok-gung to be built. Destroyed
in 1592, it was reconstructed in 1616, with the majority of the buildings
rebuilt in the 1830s after a terrible fire. During the Japanese occupation, a
modern red building was built in the grounds and it was turned into a zoo and
botanical gardens. The zoo was removed, though the botanical garden remains,
and the palace was completely restored from 1983 to 1986.
Unlike the other palaces in
the city (which all have north-south orientations), Chang-gyeonggung has an east-west
orientation, as was customary during the Goryeo Dynasty.
The houses face south, but
the office of the king, the Myeongjeongjeon, faces east. Because the ancestral
shrines of the royal family are located in the south, the gate couldn’t face
south, according to Confucian customs. The largest building in the complex is
Tongmyeongjeon, which was built as the queen’s quarters. The pond, Chundangji,
located in the north of the complex, was constructed during the Japanese
occupation before that, much of the land now underwater had been a rice field
that the king tended.
Deoksugung (경복궁)
The smallest of the city’s
palaces, Deoksugung is located at the corner of one of downtown Seoul’s busiest
intersections. It is known for its stone wall and the walk along its outside.
Deoksugung (“Palace of Virtuous Longevity”) originally belonged to
Wolsandaegun, the older brother of Joseon Dynasty King Seongjong, but later
became a proper palace when Gwanghaegun (Prince Gwanghae) took the throne in
1608. The east wing was for the king and the west wing was reserved for the queen.
In 1900, Jeonggwanheon was the first Western-influenced building to be added to
the 9 palace grounds. The red-and-grey brick structure features massive
columns, ornate balconies, and a green tile roof. King Gojong, who reigned from
1863 to 1907, enjoyed having coffee and spending his free time there. The back
of the building had a secret passageway, which still exists, to the Russian
Emissary. The other Western-style building is Seokjojeon, which was designed by
a British firm in 1905, when the Japanese occupied Korea. It was completed in
1910 and became a Japanese art gallery after King Gojong’s death in 1919. After
Korean independence from Japan, a joint commission of Americans and Russians
held meetings there in 1946 in an attempt to reunite North and South Korea. The
east wing of Seokjojeon now serves as a gallery for Palace Treasure
exhibitions, and the west wing is part of the National Modern Arts Center.
Gyeongbokgung (경복궁)
Of the five grand palaces
built during the Joseon Dynasty, this was the largest and most important one.
Two years after King Taejo took power in 1394, he ordered the construction of
this palace. It is said to have had 500 buildings when it was first built and
it served as the home of Joseon kings for the next 200 years.
During the Japanese Invasion
(1592–98), the palace was burned, not by the invaders, but by disgruntled
palace workers who wanted to destroy records of their employment as servants.
The palace was later restored in 1865 under the leadership of Heungseon
Daewongun during the reign of King Gojong. Using the original foundation
stones, over 300 structures were completed by 1872, but at a great cost to the
Korean people. Sadly, King Gojong used the palace for only 23 years after its
reconstruction—he fled to Russia when his wife, Queen Min (p. 99), was murdered
on the palace grounds. A year later the king moved into Deoksugung.
During the Japanese colonial
period, all but 10 structures were demolished and only a fraction of its
structures remain, including Gyeonghoeru Pavilion (which is on the +10,000
note), Geunjeongjeon (the imperial throne room), and Hyangwonjeong Pond.
The National Palace Museum
is located south of the Heungnyemun (gate), and the National Folk Museum is located on the east side, within
Hyangwonjeong. Entry to the palace includes admission to the museums as well.
The National Folk Museum is well worth a visit, especially if you want an
insight into Korean culture and the daily lives of Koreans throughout the
country’s long and turbulent history. I especially liked explor-ng the complex
of dioramas, pagodas, and model homes on display in the museum’s outdoor court.
The museum itself is made up of three interconnected buildings—there are maps
available to help you explore.
The National Palace Museum
was created in 1992 and is filled with relics collected from archaeological
digs at Gyeongbokgung, Changdeokgung, Changgyeonggung, and Jongmyo. Focusing on
the Joseon Dynasty (1392–1910), it’s the perfect place to learn about
Confucianism (once Korea’s main religion) and ancestral rites that were passed on
through the royal line. The displays give insight into the lives of Joseon
royalty and palace architecture as well.
Gyeonghuigung (경희궁)
Constructed in 1616, this
was the fifth palace built in the city and one of the best royal grounds for a
nice stroll the name means “Palace of the Shining Bliss.” The palace was
designed following the slant of the surrounding hillside and an arched bridge
used to connect it to Deoksugung (which is now across the street). The complex
used to house over 100 buildings, but most of them were destroyed and the site
was reduced by half when the Japanese built Gyeongseong Middle School during
the colonization period. A major restoration project was started in 1988 and
the palace was reopened to the public in 2002.
The Seoul Metropolitan
Museum of Art and the Seoul Historical Museum now occupy parts of the original
site. The Seoul Metropolitan Museum of Art has both permanent collections and
temporary exhibits of contemporary South Korean artists, including painters,
potters, sculptors, and photographers. The Seoul Historical Museum exhibits
artifacts and documents chronicling the history of Seoul from the Stone Age to today.
Opened in 2002, the majority of its collection is from the Joseon Dynasty, but
other exhibits display the landscape of the city, lifestyles of Seoul’s
citizens, its culture, and its development as a metropolis.
Unhyeongung (운현궁)
The childhood home of King
Gojong (26th king of the Joseon Dynasty), Unhyeongung is smaller and
architecturally different from other palaces. It is a representative home for
noblemen during that period. Under the orders of the Queen Mother Jo, the small
residence was renovated into a palace with four gates. Gojong’s father and
regent, Heungseon Daewongun, continued to live at the palace even after his son
became king. Like the other palaces in the city, Unhyeongung was damaged during
the Japanese colonization period and the Korean War, so it is a much smaller
version of its former glorious self. The small row of rooms on the right (when you
first enter) is the Sujiksa, the quarters for the servants and guards. A bit to
the left is the Norakdang hall, used for welcoming guests and for holding
important events such as birthday parties and wedding ceremonies. In fact, a
re-creation of the 1866 wedding of King Gojong and Queen Myeongseong is held
here Saturdays from late April to late October from 1 to 3pm. Korean classical
music and performances are held on Sundays from April to October at 4pm.
Entrance to the palace is free starting from 1 hour before performances are
held.
from: Cecilia Hae-Jin Lee-Frommer Korea Selatan 2
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